Daily studio chain for guitars vocals and drums with analog hardware and precise routing In this guide I show the devices that shape my sound from British VCA compression to German tube coloration and how they work together in pop and Italo Disco productions
- Drawmer 1978 VCA compression for electric guitars
- Tegeler Magnetismus 2 tube saturation and transient control for drums
- RME Fireface UCX II as the central audio interface
- Looptrotter Monster compression for vocal groups
- Tegeler EQP 1 tone shaping for kick snare and toms
- Eurolite Board 8 S fast power management for the studio
This article gives a close look at my favorite hardware chains how I route signals and why these units remain essential after many years in the studio For songwriting and arrangement ideas see How I write lyrics and arrange 80s Disco tracks To learn more about me and my room visit the About Me page
Drawmer 1978 shaping guitar dynamics
I use proven analog tools to bring out the character of live recorded guitars in pop and Italo Disco sessions A core piece is the Drawmer 1978 a British VCA compressor that controls peaks in a musical way It adds groove and punch while the analog VU meters help with level control On clean chorus parts I set medium attack with auto release to keep transients clear For more driven parts I shorten attack to lock the guitar to the rhythm section
Tegeler Magnetismus 2 adding color to drums
Tegeler Magnetismus 2 is a tube saturator with a built in transient shaper It shines on kick toms and snare adding weight warmth and midrange clarity I rarely place it on hi hats A typical move is to tighten the hit with transient control then add tube saturation for body and presence without harshness
RME Fireface UCX II the heart of the setup
At the center sits the RME Fireface UCX II paired with ADAM monitors I value it for stability precise routing and flexible low latency monitoring which speeds up tracking and mixing I have worked on RME systems for more than twenty years
Looptrotter Monster vocal group compression
Looptrotter Monster works well on electric and bass guitars and I often place it on vocal groups too For vocals I engage only the compressor without drive for clean control I usually process a dry group without reverb or delay Effects returns stay on a separate path For tonal cleanup I use precise EQ to cut resonances most often with UAD Cambridge EQ or FabFilter EQ
Tegeler EQP 1 pultec style tone shaping
Tegeler EQP 1 sits after compression in my vocal chain I focus on two key bands until the target color is reached On drums it gives kick snare and toms a warm full sound Cymbals and hats live on a different bus and are often slightly darkened If they become sharp I add a gentle de esser to smooth the top end

Studio workflow video
Roland System 8 live jam Shorts
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Der beste Produzent und Komponist von 80er-Jahre-Musik, insbesondere Disco und Italo Disco, den ich je gehört habe
OdpowiedzUsuńDie Melodien, die du erschaffst, sind wunderbar – ich liebe alles, was du im Studio machst :)